Learning from the Masters: on Writing Dual Timelines

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Do you ever decide to write a book, then at some point during the revisions, look at it and say, wow, I made this really hard on myself?

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MK’s Book Reviews: Panic

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I’ve written about how much I love Lauren Oliver‘s writing before, so it was no surprise that I loved this book

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Good Reads Lately

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Been a little while since I updated you all on my reading list. Here are some recent good reads (and incidentally, you can follow my other good reads on Goodreads).

Vanishing Girls Firstly, the prose is beautiful. Lauren Oliver’s prose is always beautiful. This is the story of two sisters, distinct enough from one another but both very realistic, compelling characters, who have issues with each other in the way only sisters can. The setting is perfectly drawn. The other characters are flawed and so real. I read through this in a few days, and loved spending time in this world so much I just didn’t want the book to end. My only issue? The same one I had with all her other books: the ending. It just wasn’t my fave. But that won’t keep me from reading everything Lauren Oliver writes, and it shouldn’t keep you either.

Attachments This book was insanely cute in the way that only a Rainbow Rowell book can be. It’s actually an adult novel, in that everyone in it is in their late 20s or older, but it reads very much like Eleanor & Park and Fangirl to me–maybe because some of us (myself included) never stop being teenagers at heart. It’s a story about finding yourself and figuring out who you’re supposed to be with and what you want to do with your life. It was really well done and you should just go read it, now.

Isla and the Happily Ever After It’s no secret I loved Stephanie Perkins’s other novels, Anna and the French Kiss and Lola and the Boy Next Door. They were adorable, well-written, with interesting, relatable heroines and swoon-worthy boys. But I loved this one THE MOST because it struck very close to home for me: it so perfectly captures the obsessive sensation of first-time love. I’m no longer a teenager, but this book transported me back to being 18 and in love for the very first time–the butterflies, the feeling that every moment apart is total agony, the text from him after being separated meaning everything to you. I’d kind of forgotten that feeling, actually, and it was so lovely a thing to be reminded exists, especially as we get older and get into more comfortable, less fireworks-inducing stages in our love lives. Can’t wait to see what Stephanie Perkins does next!

All the Light We Cannot See This was lovely and haunting and beautifully-written and deserves every ounce of praise it’s gotten. I keep wondering when people are going to get tired of World War II stories, and the answer is, I don’t think they are, as long as talented writers like Anthony Doerr continue to bring them to live so vividly. It’s sad, as expected, but also hopeful. Just read it. And then, when you’re done, come with me on my journey back to Saint-Malo.

You can also follow along with my reading adventures on my bookish Instagram!

Lovely image found here

Learning from the Masters: Kissing Scenes

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So in my contemporary YA work in progress, I’m finally finally at the point where the people I want to kiss, do.

Yay!

I wrote a draft of that scene. And then reread it. And it was … meh.

I wanted the literary equivalent to fireworks, only less clichéd. I did not produce that. And though I know that great things are rarely achieved on the first try, I knew I needed help before having another go.

Whenever I get stuck on writing something, from kissing to opening lines to closing lines, I go back and consult the work of the experts that came before me.

Otherwise known as re-reading my favorite novels. It’s a rough part of the process, but so necessary.

So! Here I present some of the best kissing scenes I’ve come across. I’ve removed character names so as not to spoil anything for anyone–you must read all the stuff leading up to the kiss in order to really appreciate it!–but I’ve included links out to where each scene is from at the bottom.

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